Eisley's first video can now be seen by the world
WMA (Windows Media, for various connect speeds):
http://www.warnerreprise.com/asx/eisley_marvelous-things_56-v.asx
http://www.warnerreprise.com/asx/eisley_marvelous-things_100-v.asx
http://www.warnerreprise.com/asx/eisley_marvelous-things_300-v.asx
http://www.warnerreprise.com/asx/eisley_marvelous-things_450-v.asx
QuickTime (56,100,300,700):
http://www.warnerreprise.com/qt-ref/eisley_marvelous-things_ref.mov
Dallas Observer:
" A year ago, Eisley was still MossEisley, and the band was still on the verge of something instead of being in the thick of it. But you could hear it coming, see it on the way. You wouldn't have predicted the deal with Warner Bros. necessarily or the tours with Coldplay, but you could imagine it. Standing in the audience of one of their ever-growing shows back then, it was difficult not to fall in love with it all. How the group (band members names here) connected with each other and how that connection spread throughout the crowd until everyone was somehow part of it. It was everything music should be and, these days, rarely is.
A year later, and little has changed, except Eisley is even better at what they do. Marvelous Things, their second EP for Warner Bros. (the first, Laughing City, was released in May), shows off a sound strengthened by a couple of months under the bright lights; the harmonies are watertight, the guitars tougher, the rhythm section getting in the photo instead of just providing the frame. Live favorite "Sea King" finally makes an appearance on the record, and pretty much sums up what the band is all about, with its 'The Lion, the Witch and the Wardrobe' lyrics, Sunday-drive simplicity and sad-eyed beauty. Expect even more, and better, when Eisley's first full-length arrives sometime next year, produced by Rob Schnapf."
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