That's where the pain comes in
Like a second skeleton Tryin' to fit beneath the skin
I can't fit the feelin's in
+ Fast As You Can - Fiona Apple - 10/28/2017
+ Werewolf - Fiona Apple - 10/28/2017
That's where the pain comes in
Like a second skeleton Tryin' to fit beneath the skin
I can't fit the feelin's in
+ Fast As You Can - Fiona Apple - 10/28/2017
+ Werewolf - Fiona Apple - 10/28/2017
Direct interference in a person's life does not enter our scope of activity, nor, on the other, tralatitiously speaking, hand, is his destiny a chain of predeterminate links: some 'future' events may be linked to others, O.K., but all are chimeric, and every cause-and-effect sequence is always a hit-and-miss affair, even if the lunette has actually closed around your neck, and the cretinous crowd holds its breath. Vladimir Nabokov, Transparent Things
After a long absence I have returned Home. The place where this blog was born and a majority of it was created. I'm back.
"One of the seats of emotion and memory in the brain is the amygdala, he explained. When something threatens your life, this area seems to kick into overdrive, recording every last detail of the experience. The more detailed the memory, the longer the moment seems to last. 'This explains why we think that time speeds up when we grow older,' Eagleman said--why childhood summers seem to go on forever, while old age slips by while we’re dozing. The more familiar the world becomes, the less information your brain writes down, and the more quickly time seems to pass."
+ What a brush with death taught David Eagleman about the mysteries of time and the brain.
“I fell for her like a suicide from a bridge.”
Neil Gaiman
Next year, The Bends turns 20 years old.
The music video for this song was filmed at the Normandie Hotel in San Juan, Puerto Rico. When I was a kid I was fascinated by that hotel.
“Perhaps there are other bits of my life that would take on content, take on shadow, if only I read more and thought less about money.”
Martin Amis, Money
“Money doesn't mind if we say it's evil, it goes from strength to strength. It's a fiction, an addiction, and a tacit conspiracy.”
Martin Amis, Money
Cohen was not directly involved in the writing of "Hope" but was given a writing credit by the band due to similarities in melody and lyrical pattern to his "Suzanne".
I don't remember which girl this song reminds me off. I am bemused by this fact.
Recent Comments